Video streaming platform restricting Namibian creators' monetization access and enabling high data consumption through video playback.
Key points drawn from coverage. Tap a point to see the original sentence.
The Namibian
YouTube does not provide equally monetisation opportunities to Namibian creators
“TikTok monetisation is limited, and YouTube monetisation opportunities available to creators in larger markets are not equally available here.”
The Hidden Cost of FishrotThe Namibian
YouTube experienced 15% increase in consumption
“YouTube consumption increased by 15%, while Instagram rose by 9%.”
TikTok fuels Namibia’s data consumption boomThe Namibian
YouTube is singled out as among the biggest reasons for customers burning through data quickly
“He singled out platforms such as YouTube, TikTok and other social media applications that rely heavily on video content.”
We don’t steal your data – MTCThe Namibian
YouTube is a platform musicians may leave behind as a digital asset containing music videos and content
“Most musicians today do not just leave CDs and old cassettes. They leave Google accounts, Facebook pages, Instagram, YouTube channels, streaming profiles, digital distributors, cloud storage, email accounts and hard drives.”
The Dead Musician’s Music and Digital EstateThe Namibian
YouTube excludes Namibian artists from monetisation pathways
“Beyond domestic funding issues, Namibian artists face global digital hurdles, including total exclusion from YouTube monetisation pathways and an inactive payout function on PayPal.”
New arts council boss aims for 3% GDP contributionThe Namibian
YouTube banned Speed for a week for enabling his game character to engage in inappropriate sexual activity
“He was also once banned from YouTube for a week for enabling his game character to engage in inappropriate sexual activity in full display of viewers.”
IShowSpeed wows Africa with high-energy tourThe Namibian
YouTube unable to fully monetise on Our creators
“Our creators are still unable to fully monetise on YouTube, receive PayPal payouts, or access Apple Pay's ecosystem.”
Namibia Must Unlock Digital Payment SolutionsThe Namibian
YouTube was banned by Nepal's government for not complying with registration deadline
“When the government moved to ban 26 social media platforms, including Facebook and YouTube, protests erupted with thousands of young people storming parliament in the capital Kathmandu on Monday.”
Nepal lifts social media ban after 19 killed in protestsThe Namibian
YouTube hosts videos by Saviour Humpreyson under the name 'flying flags'
“It is during some of his overnight stays that he spends time editing and posting his videos to Youtube under the name 'flying flags'.”
Ghanaian adventurer explores Namibia with his Honda Africa TwinThe Namibian
YouTube has begun blocking ad blockers
“After spending years as the subscription black sheep, YouTube Premium is beginning to look mightily attractive. Why? In a move that pretty much everyone could see coming, the company may be about to handicap its ad-filled tier in the way of blocking ad blockers entirely.”
YouTube has begun blocking ad blockersA Namibian editorial examines the broader economic damage of the Fishrot scandal beyond direct theft, arguing that Namibia's greylisting and subsequent banking restrictions have hindered Namibian digital creators' access to international payment platforms and monetisation systems.
2 October 2026 · The Namibian →
A Namibian editorial examines the broader economic damage of the Fishrot scandal beyond direct theft, arguing that Namibia's greylisting and subsequent banking restrictions have hindered Namibian digital creators' access to international payment platforms and monetisation systems.
2 October 2026 · The Namibian →
Data services generated N$944 million in revenue during the second quarter of 2026, making it the largest source of income for Namibia's telecommunications sector. Total telecommunications revenue was N$1.9 billion between April and June, a 12% increase from the previous quarter, with mobile data usage rising to 30.8 million gigabytes, an 11% increase from the previous quarter.
22 September 2026 · The Namibian →
MTC's data adviser said the mobile operator does not steal customer data and charges consumption-based on actual usage. He attributed rapid data depletion to video streaming on platforms like YouTube and TikTok, and advised customers to reduce video quality or use data-saving features.
30 August 2026 · The Namibian →
Under Namibia's Copyright and Neighbouring Rights Protection Act of 1994, copyright in a musical work lasts for the author's lifetime and for 50 years from the end of the year in which the author died. Copyright can be treated as movable property and may pass through a will or the law governing the deceased estate, making a songwriter's catalogue a potential asset of their estate.
22 August 2026 · The Namibian →
According to his mandatory financial report for 2025, US President Donald Trump made more than $1bn from cryptocurrency dealings, including $635m in royalties from a Trump meme coin and over $500m from World Liberty Financial, a crypto firm founded by his sons and children of his special envoy. The White House denied he was profiting from the presidency.
1 July 2026 · The Namibian →
Newly appointed National Arts Council of Namibia chairperson Lot Ndamanomhata aims to increase the creative sector's contribution to GDP from 1.5% to 3% under the sixth National Development Plan, citing improvements in the industry's coordination and citing 327 local film productions between 2022 and 2024 that generated an average of N$122.5 million in spending and created over 2,400 jobs. He acknowledged that policy, infrastructure, and financial deficits continue to constrain the sector, with funding remaining the most pressing challenge as most creative projects are self-financed.
9 June 2026 · The Namibian →
Namibian Afro-pop artist Sixer Vundakan released his fifth studio album, 'Kotse moKotse', an 18-track project on 30 April featuring collaborations with local artists and focusing on everyday life experiences and youth-related themes including discipline, growth, and avoiding self-destruction.
8 June 2026 · The Namibian →
Namibian artist Pandeni revealed that his music video 'Okay' earned N$900 from YouTube despite accumulating over a million views, sparking debate about the country's digital economy.
19 May 2026 · Namibian Sun →
Namibian content creators face systemic barriers to monetizing their work despite reaching global audiences, including exclusion from payment platforms like PayPal, affiliate marketing programmes and freelance work sites that are unavailable or restrict access from Namibia. The author argues this reflects how the global digital system was designed with structural inequality, leaving Namibian creators with viewers but limited income opportunities.
18 April 2026 · The Namibian →
MultiChoice Namibia is phasing out its Showmax streaming service following a comprehensive review, citing significant financial losses and shifting viewer preferences toward on-demand streaming platforms. The company says the decision is part of a broader digital strategy and that it will redirect resources to DStv Stream, though the move has prompted concerns from local filmmakers about reduced platforms for African content.
13 March 2026 · New Era →
Namibian lawmakers and child welfare experts are divided over whether to ban social media for children under 15, with supporters citing mental health and cyberbullying concerns while critics argue for evidence-based regulation rather than an outright ban. Experts also note that enforcement would be technically challenging given the ease of age verification manipulation.
8 March 2026 · The Namibian →
Popular content creator Darren Watkins Jr., known as IShowSpeed and boasting 48 million YouTube subscribers, is undertaking a "Speed Does Africa" tour across 20 African countries over 28 days, livestreaming his interactions with fans, local culture, sports, and daily life. The high-energy tour has attracted large crowds of young fans, though some critics on social media have dismissed it as a superficial spectacle that primarily benefits the entertainer himself.
19 January 2026 · The Namibian →